Stefan Panhans / Andrea Winkler – The Pow(d)er of I Am Klick Klick Klick Klick and a very very bad bad musical!

The title of this exhibition by the artists’ duo Stefan Panhans (DE) and Andrea Winkler (CH) refers to the rhetoric used by Evangelical Protestant megachurches in the USA, preaching a market-compatible neoliberal ideology of individual self-optimisation under the guise of Christian morals. In their works, the artists paint an impressive but thoroughly critical portrait of a globalized world accelerated by technology.

Faţadă/Façade

25 of 78 – International Media Art from the Series HMKV Video of the Month

Artists & Agents – Online

#HMKVathome The exhibition "Artists & Agents - Performance Art and Secret Services" has duely closed on 19 April 2020. With "Artists & Agents Online", we are keeping this exhibition accessible to you beyond the exhibition period. On this site, we collect additional material, videos, podcasts, etc., which illuminate special aspects of the exhibition. You can also follow us on social media the hashtag #HMKVathome.

Artists & Agents – Performance Art and Secret Services

The focus of the exhibition is on the files that various secret services in Eastern Europe and beyond have created on performance artists from the 1960s to the 1990s - in order to be able to "infiltrate" them all the better and "liquidate" them from within. For this, however, they had to become performance artists themselves.

The Alt-Right Complex – On Right-Wing Populism Online

Computer Grrrls

Korpys/Löffler ‐ Personen, Institutionen, Objekte, Sachen

In their artistic-documentary projects Korpys/Löffler use the methods of the modern surveillance state not on individuals but on the state itself. They deal with the secret work and official representations of state power, as well as with their challengers in the social opposition.

Die Grenze

Where does Asia begin and where does Europe end? The exhibition "Die Grenze" (The Border) explores and reflects borders as territorial inclusion or exclusion, as a cultural or social dividing line, as an instrument to distinguish the "we" from the "others".

The Storming of the Winter Palace: Forensics of an Image

Afro-Tech and the Future of Re-Invention